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He was, let us not forget, almost incapable of ideas of a general, Platonic sort. Not only was it difficult for him to comprehend that the generic symbol ‘dog’ embraces so many unlike individuals of diverse size and form; it bothered him that the dog at three fourteen (seen from the side) should have the same name as the dog at three fifteen (seen from the front). His own face in the mirror, his own hands, surprised him every time he saw them. Swift relates that the emperor of Lilliput could discern the movement of the minute hand; Funes could continuously discern the tranquil advances of corruption, of decay, of fatigue. He could note the progress of death, of dampness. He was the solitary and lucid spectator of a multiform, instantaneous and almost intolerably precise world. Babylon, London and New York have overwhelmed with their ferocious splendor the imaginations of men; no one, in their populous towers or their urgent avenues, has felt the heat and pressure of a reality as indefatigable as that which day and night converged upon the hapless Ireneo, in his poor South American suburb.
Jorge Luis Borges, Funes the Memorious
What had you expected of your pilgrimage, Person? A mere mirror rerun of hoary torments? Sympathy from an old stone? Enforced re-creation of irrecoverable trivia? A search for lost time in an utterly distinct sense from Good-grief’s dreadful “Je me souviens, je me souviens de la maison où je suis né” or, indeed, Proust’s quest? He had never experienced here (save once at the end of his last ascent) anything but boredom and bitterness. Something else had made him revisit dreary drab Witt.
Not a belief in ghosts. Who would care to haunt half-remembered lumps of matter (he did not know that Jacques lay buried under six feet of snow in Chute, Colorado), uncertain itineraries, a club hut which some spell prevented him from reaching and whose name anyway had got hopelessly mixed with “Draconite,” a stimulant no longer in production but still advertised on fences and even cliff walls? Yet something connected with spectral visitations had impelled him to come all the way from another continent. Let us make this a little clearer.
Vladimir Nabokov, Transparent Things
—that there is no mirage without a vanishing point—
Vladimir Nabokov, Transparent Things
Laura Dern in David Lynch’s Inland Empire.
